Coda (1970)

The Radar read

A quieter title still finding its audience, though the rating rests on a thin sample, so treat it as provisional.

Synopsis

A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.

Synopsis and metadata sourced from The Movie Database (TMDB).

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