The Last Witness (1960)

Werdykt Radaru

Cichszy tytuł, który wciąż szuka swojej widowni, choć ocena opiera się na wąskiej próbie, więc traktuj ją orientacyjnie.

Opis

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.

Opis i metadane pochodzą z The Movie Database (TMDB).

Radar blends quality, momentum and freshness into one “what to watch now” number — so a great older film can sit lower than a rising new release. The Quality signal above is the time-neutral rating, which is why an acclaimed classic keeps a high quality score even when its Radar number is lower. Radar outputs are editorial algorithmic recommendations, not objective facts, and may change as signals update. A Radar score is not the same as a TMDB, IMDb or critic rating. How scoring works (v3.0).