Filming Desire: A Journey Through Women’s Cinema (2000)

Werdykt Radaru

Cichszy tytuł, który wciąż szuka swojej widowni, choć ocena opiera się na wąskiej próbie, więc traktuj ją orientacyjnie.

Opis

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Opis i metadane pochodzą z The Movie Database (TMDB).

Radar blends quality, momentum and freshness into one “what to watch now” number — so a great older film can sit lower than a rising new release. The Quality signal above is the time-neutral rating, which is why an acclaimed classic keeps a high quality score even when its Radar number is lower. Radar outputs are editorial algorithmic recommendations, not objective facts, and may change as signals update. A Radar score is not the same as a TMDB, IMDb or critic rating. How scoring works (v3.0).